The colors available in the Flesh Tone Palette by Skin Illustrator range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colors with warming/cooling adjusters that are ideal for fine tuning a skin tone mix that's a perfect match, or for creating a subtle bruising for close camera work.
Rice paper, the staple of the palette, can be used as a white color to lighten a particular mix, or on its own to match the skin. You can use Natural 1 & 2 as the basis for most Caucasian tones. These colors already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add. If you need to warm the Naturals, add a little Coral Adjuster or Rose Adjuster 2. If you need to cool the tone or add an olive tone, add a little Olive Adjuster 2, or Vein Tone to achieve a beige color. Lao 1 & 2 will be the basis for your yellow undertone subjects. And if you want to add a touch of golden quality, use the Coral Adjuster or the Ceder Brown for a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones. All of the color adjusters have been formulated to intermix with the flesh tones. Start with these colors and you can lighten the tone with a Rice Paper mix.
You must use Skin Illustrator Activator, Skin Illustrator Slow Activator, or 99% alcohol to activate the color pigment.
Do Not use 70% alcohol, MEK, acetone, water or any other solvent.
Removal is easy with Telesis Super Solv.